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Into this double toil of trouble eventually arrived Quentin Collins, as dashingly delivered by theswashbucklingDavid Selby, adorned with lengthy debonair sideburns and a full-length frock coat, both of which became trademarks adored by fans. Quentin first materializedin late-1968 as a silent apparition who communicated with the young David Collins (David Henesy) by a mystic phone connection. In the1897 storylinehe, like Barnabas, became forever linked with Angelique. All three were immortal, and remained essentially the samecharactersthroughout the shows middle -to-lateepisodes. While Scotts quadruple treat of characters churned the passion of Frids ravenous Barnabas, Selbys daring Quentin became enamored with his own share of strong-willed women, including Angelique. Says Parker: David is an amazingly charismatic actorwho brought to Quentin a wonderful brooding countenanceand the twinge of Kentucky [in actuality, West Virginia] in his accent. He always takes his work very seriously. Selby, who later became a series-regular on two of the era’s most popular prime-time soaps (Flamingo Road, 1980-1982; and Falcon Crest, 1981-1990), was indeed serious about playing Quentin, so much so he at first feared mainstream TV watchers might not embrace his slight Southern drawl once the character began to speak in 1897. Oh, no, he thought, The audience will hear my voice, and that will be the end of it. But such was not the case. The viewers ensuing romance with Selby soon rivaled that of Angeliques interest in Quentin, as well as the increasing respect from his peers. I just love David, says Scott who, while on Shadows, had performed a scene with Selby from August Strindbergs play, Miss Julie, while both attended the Actors Studio in New York, circa 1968. We loved working together and we still do, Scott declares. The actress makes reference to various reunions with Selby, Parker and Frid including their cameos in Tim Burtons big-screen Shadows re-do in 2012, in which Johnny Depp resurrected Barnabas Collins, as well as at annual Dark Shadows Festivals. The 50th Anniversary edition is set for June 24 to 26 in Tarrytown, New York on the grounds of Lyndhurst estate, the location for the 1970 film House of Dark Shadows, and its 1971 sequel, Night of Dark Shadows. Scott has penned several popular nonfiction books about Shadows, as well as three non-DS novels, and, as she assesses, Frid brought a certain vulnerability to his portrayal of Barnabas on the original TV series, which was remade as a prime-time weekly series by NBC-TV in January 1991 with Ben Cross in the lead. He played a seemingly unsavory fellow whose relationship with the other characters became very specific because of Jonathans ability to add different layers to Barnabas. Due to Frids increasing popularity, the actors presence was sometimes requested four to five days a week, a hectic work-load then-unheard of for daytime soaps. Subsequently, he was at times overwhelmed, and would periodically – and understandably – forget his lines. Parker, like Scott, was a loyal friend to Frid, and explains how not knowing certain scary words worked in his favor. Jonathans slight anxiety of sometimes missing a cue translated so perfectly into the character of Barnabas, who was racked with guilt and anguish because he was compelled to take blood and often kill his victims. Consequently, Parker says Frid (who died at 87 in 2012, only months before the Burton-Depp DS debut) accomplished what actors of the 1960s-burgeoning method form of acting strived to achieve. He brought a personal emotion into the moment he was playing. He was a Shakespearean actor with a marvelous voice and a great presence, and he gained an amazing kind of dour seriousness in his performance due to his extensive experience in live theatre, [including roles as Macbeth and Richard III]. As Frid himself once assessed, his classical training helped make Barnabas larger than life. Meanwhile, too, he frequently searched for other values when playing any role. I always pick two poles with a character and dance in between, he said. Off-stage or screen, Frid was as elegant as Fred Astaire. As Parker maintains, Jonathan was a sweet, congenial manvery kind, gentle, and gentlemanlythe absolute opposite of Barnabas, at least in the beginning, when the character was more sinister. Barnabas longed to become human againto rid himself of his curse, continues Parker, who has authored several Dark Shadows-based novels, including Angeliques Descent. He wasnt like [the Dracula character] who was just a pure evil vampire with no motivation. Underneath the evil, there was a reality of agony and heartbreak, and that made his character, and Jonathans performance, so rich. In like manner, Parker says Angelique was a witch but she had had her heart broken as well.